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3D Printed Fashion of Iris van Herpen

  • Posted on March 30, 2012 at 10:41 am

The work of Dutch fashion designer Iris van Herpen, whose designs have been worn by the likes of Lady Gaga and Bjork, are being featured in the Groningen Museum in the Netherlands. van Herpen uses 3-D printing to make dresses like this one:

(you can see a model actually wearing it in the video above)

More images and information: 3-Der: Iris van Herpen’s 3D-printed dresses in Groningen Museum

(via Fiarce)

See also: The New Aestetic and Future Fatigue

From http://technoccult.net/archives/2012/03/30/3d-printed-fashion-of-iris-van-herpen/

Nomad Economics and E-Commerce

  • Posted on March 5, 2012 at 5:02 pm

My old friend Abe Burmeister was interviewed about the philosophy behind his company Outlier by Dan Gould for PSFK:

A few hundred years ago most products were sold directly from the maker to the user. If you wanted forks and knives you went to a silversmith. To get shoes you went to a shoemaker. The industrial revolution exploded all that, and gradually layer upon layer of wholesalers, distributors, buyers and salespeople have been added into the purchasing process. In the end you often find dozens of people separating the designers from the end users.

The internet has the potential to explode this game, but perhaps more importantly it also provides an economic incentive to. Most of those layers separating the designer from the user are layers that raise the price of the product and reduce the profit margins of the manufacturer. Gut out the layers of wholesalers and distributors and you wind up reducing the price of products and making more money at the same time. But to do this requires boldly throwing out the old business model. Of the established companies, Apple is close to the only large one confident enough to do it.

One of the craziest things about selling design on the internet is that there are no sales people. Not only can you eliminate layers of middlemen between the designer and the user, but you also eliminate the persuader at the end of the line. All of a sudden the product basically needs to sell itself, and anyone who knows how to google can turn themselves into an expert in hours. It’s a new environment and one in which the designer takes a much more important role in selling the product than they have in the past.

PSFK: The Internet Has Changed the Way We Make Products

This is an application of theory that Abe wrote about in his master’s thesis Nomad Economics. Abe’s very seldom updated blog Abstract Dynamics was one of the best blogs of the early to mid 00s and he’s still one of the most interesting people I follow on Twitter.

From http://feedproxy.google.com/~r/Technoccult/~3/wN01xU5FnDA/

Photo

  • Posted on January 3, 2012 at 9:50 am


From http://morbidfashion.tumblr.com/post/15242584067

Photo

  • Posted on January 3, 2012 at 6:25 am


From http://morbidfashion.tumblr.com/post/15238183990

Witch Style Hits Diesel

  • Posted on September 5, 2011 at 12:00 pm

diesel witch Witch Style Hits Diesel

See also:

BetaUnit 2 Witch Style Hits Diesel

Multifunctional Clothes for Modern Mystics

parisvoguequatre Witch Style Hits Diesel

Devil Worship Is The New Black

From http://feedproxy.google.com/~r/Technoccult/~3/1TQfRJfhNEY/

Circus Culture, Or: Why You’re Wearing Feathers Right Now

  • Posted on August 14, 2011 at 2:32 pm

ElCirco E31 Circus Culture, Or: Why Youre Wearing Feathers Right Now

Our story begins almost 12 years ago, in a little town in Oregon, by the name of Ashland, where a group of kids came together to start a circus performance troupe called, El Circo. The group would gain recognition within the Burning Man culture for the extravagant parties they threw at the festival, featuring lavish fire performances, a large, geodesic dome venue, and a top-notch sound system that attracted world-renowned music acts to perform there. In a 2005 San Francisco Bay Guardian article on the effect that the various groups within the Burning Man community have had on San Francisco nightlife — an impact which now extends to the entire west coast’s, and arguably global, dance culture — the writer paid particular attention to the influence of El Circo [...]

That same year, just two years out of college, I stumbled into the role of production manager for a newly-formed, L.A.-based vaudeville cirque troupe called, Lucent Dossier. Through that initial involvement with Lucent I would meet many other circus groups, including El Circo, who were by then based in San Francisco along with The Yard Dogs Road Show and Vau De Vire Society. There was also March Fourth Marching Band in Portland, Clan Destino in Santa Barbara, and Cirque Berzerk, and Mutaytor in L.A. As these acts grew, the I-5 Freeway became a central artery of culture, pumping a distinct combination of art, music, fashion, and performance up and down the west coast. A social scene evolved around these circus troupes the same way the punk subculture sprang up around the bands that defined it. For lack of another term, I’ve referred to this subculture over the years simply as “circus.”

Social Creature: Why You’re Wearing Feathers Right Now

(via Coilhouse)

Now is as good a time as any to plug my wife’s tribal fusion boutique, which sells many hand-made, cruelty free feather accessories: Siphonophoria.

jillian Circus Culture, Or: Why Youre Wearing Feathers Right Now

OK, so this headpiece doesn’t have any feathers on it, but you get the idea…

Note: I’m on vacation until August 22, so I may be slow responding to comments or making corrections.

From http://feedproxy.google.com/~r/Technoccult/~3/I6Yn0x-QMI8/